Through Studiohand, Handhyanto's design approach centers on understanding a brand’s essence and market as the foundation for crafting the ‘right’ design style. He focuses on identifying innovative, playful twists that address product pain points while aligning with strategic goals, ensuring that each design not only resonates with users but also thrives in the competitive marketplace.
From their site
Images from StudioHand’s own website.
Contact & details
TypeVFX/Animation · VFX
LocationJapan
Websitestudiohand.co
Emailhello@studiohand.co
Statusactive2025 credit i
Credits4
- 2025
Shin Godzilla
2025
Visual effects
- 2023
Shin Kamen Rider
2023
Visual effects
- 2022
Shin Ultraman
2022
Visual effects
- 2021
Fate Grand Order: The Grand Temple of Time
2021
Worked on
Titles per year4 titles · busiest 2021 with 1
4 titles across 5 years, averaging 0.8 a year.
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