Film Career · Costume And Wardrobe

Costume Production Assistant

Costume And Wardrobe · IATSE costume locals (incl. Local 892 for designers)

Union
IATSE costume locals
Day rate
~$400–$800/day
Experience
1–4 yrs

What does a Costume Production Assistant do?

A costume production assistant is the supporting chair in the costume and wardrobe department, executing the department head's plan and managing the details that shooting days depend on.

On union productions the position falls under IATSE costume locals (incl. Local 892 for designers), which sets the rates, hours, and conditions the role works within. Like every costume and wardrobe role, the job is hired production by production, and repeat work comes from department heads who trust the name on the call sheet.

What does a Costume Production Assistant make?

  • This is an entry or assistant chair, toward the lower end of its department's range.
  • Costume crews are paid by the day with overtime: costumers roughly $400-$800 a day, and supervisors and designers above.
  • Roughly $60K-$400K+ a year across the department (IATSE Local 705 and the Costume Designers Guild, Local 892).

Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.

Sources & how we estimate pay

You’ll like and be good at this job if:

Hard skills

  • You know garment craft, fitting, and continuity

Soft skills

  • You anticipate what the crew needs and stay a step ahead
  • You are reliable, eager to learn, and happy to start at the bottom

Career progression

The role advances the way most costume and wardrobe careers do: repeat hires from the same department heads, growing responsibility within the craft, and a reputation that travels between productions faster than any resume.

How do you become a Costume Production Assistant?

Entry runs through availability and attitude: departments fill this position from crew lists, referrals, and people already on set who asked for the chance. Day-playing on smaller productions is the fastest way to be seen doing the work.

On covered productions, rates, hours, and conditions for the role are set by IATSE costume locals (incl. Local 892 for designers) contracts.

Covered by a union? The joining a film union guide explains how each one takes members.

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